Carolyn SNIPES-HOYT. L’esthétique naturaliste du gros plan dans La Passion de Jeanne d’Arc de Carl Dreyer
Jean-Sébastien MACKE. La Nouvelle Babylone: cinéma, littérature et musique naturalistes
Roy CHANDLER CALDWELL, Jr. Denaturalized Naturalism: Marcel L’Herbier’s L’Argent (1929)
Kelly BASILIO. Un train nommé désir
Gilbert DARBOUZE. De la page à la pellicule: la transformation de Muffat dans Nana de Christian-Jaque
Monica FILIMON. On the Threatening Double: The Figure of the Prostitute in Émile Zola’s Nana, Joseph von Sternberg’s Der Blaue Engel, and Rainer Werner Fassbinder’s Lola
Elisabeth-Christine MUELSCH. A Prostitute is a Prostitute is a Prostitute? From the Third Republic to the Great Depression: Outsiders in “Boule de Suif” and Stagecoach
Juliana STARR. Coal Miners’ Daughters: Representations of Women in Germinal, Matewan and Harlan County, USA
Rosemary PETERS. Oculi omnium: Mystery and Spectacle on the Altar and the Screen
Vasily TOLMATCHOFF. Eisenstein vs. Dreiser: An American Tragedy through the Eyes of a Soviet Film-maker
John ATHANASOURELIS. Realism and Naturalism in Greed
Tony WILLIAMS. The Naturalist Horizons of Nightmare Alley (1947)
Temenuga TRIFONOVA. Distracted Cinema: Kracauer and Realist Film Discourse
Birger LANGKJÆR. The Celebration as Non-naturalistic Naturalism and Stylized Realism
Amanda KLEIN. Realism, Melodrama or Horror? The Depiction of Divorce in David Cronenberg’s The Brood
Delia CAPAROSO KONZETT. Realism and Orientalism in John Ford’s December 7th
Laurel HARRIS. Ruptured Space and Temporal Escape: Tsai Ming-liang’s Millennial Film Musical The Hole
Matthias KONZETT. Revisiting Fassbinder’s Ali: The New Realism of Fatih Akin’s German Turkish Cinema
Catherine DOUSTEYSSIER-KHOZE. L’humanité de Bruno Dumont: “film expérimental” naturaliste?
Ronald GEERTS. Realism in the Films of Luc and Jean-Pierre Dardenne: Post- Neorealism?
Alexandra MIEKUS. La construction d’un regard réaliste dans Rosetta
Marcelline BLOCK. “The Shock of the Real” in Pialat’s Van Gogh (1991): Trauma and The Red Vineyard
Romain CHAREYRON. La Petite Lili ou la fracture du réel
Lenuta GIUKIN. Europe at the Age of Ideals: (Trans)National Identities in French Cinema