Hosted by:
Pusan National University Rainbow Gate
Organizers-in-Chief: Anna Gural-Migdal (University of Alberta, Canada)
Sang-Koo Kim (Pusan National University, Korea)
Organizing Committee: Il-Jae Jo (Pusan National University, Korea)
Wang Joo Lee (Film Institute, Pusan National University, Korea)
Riikka Rossi (University of Helsinki, Finland)
Carolyn Snipes-Hoyt (Pacific Union College, USA)
Jeremy Worth (University of Windsor, Canada)
Assistant Organizer: Justine Huet (University of Alberta, Canada)
Presenter: Sang-Koo Kim, Professor Emeritus, Pusan National University
Il-Jae Jo, Former Chair, Department of English Language Education, College of Education, Pusan National University
Wang Joo-Lee, Director, Film Institute, Pusan National University
Anna Gural-Migdal, President of the AIZEN®, University of Alberta
Tae-Heum Cho, Dean, Graduate School, Pusan National University
Dean Tae-Heum Cho
Jaeryong Cho and Jihyun Kim (Korea University, Korea): “Première réception du naturalisme en Corée dans et par la double-traduction”
From left: Hyung-Sub Park and Jaeryong Cho
Young-Rae Ji and Ji-Young Hwang (Korea University, Korea): “Étude de la réception de Zola en Corée à la lumière des théories littéraires de trois écrivains coréens des années 1920-1930”
From left: Ji-Young Hwang and Young-Rae Ji
Myoung A Kwon (Dong-A University, Korea): “Obscenity, Coloniality, and Zola: Control over Manners and Customs in the Colonial Period”
Myoung A Kwon
Joo-Kyoung Sohn, Hyo-Jeong Wi, and Hwa-In Shin (Korea University, Korea): “Réception et traduction de Daudet en Corée”
Discussion with Audience
From left: Keith Newlin and Sang-Koo Kim
Guest Speaker: Keith Newlin (University of North Carolina, Wilmington, USA): “American Naturalism and Dramatic Adaptation”
Keith Newlin
Je-Boon Yu
Jun Young Lee (Yeungham University, Korea): “The Modern Shift of American Naturalism in the Novels of John Dos Passos: A Case of the Modernist Dissociation of the Naturalist Self”
Kyong-Soon Chang (Silla University, Korea): “Joyce Carol Oates’s American Appetites: American Hunger”
Eun Jung Park (Pusan University of Foreign Studies, Korea): “American Post-Darwinian Storytelling?: Johnny Mnemonic, The Matrix, and V”
Eun Jung Park
From left: Pirjo Lyytikäinen and Julia Przybos
Pirjo Lyytikäinen (University of Helsinki, Finland): “Landscapes of Ennui and Decadence: Allegorical Settings in Finnish (Neo-) Naturalist Prose”
Riikka Rossi (University of Helsinki, Finland): “The Humane Primitive in the Finnish Neo-Naturalist Novel”
Riikka Rossi
Jean-Sébastien Macke (Centre Zola, ITEM-CNRS, France): “Pierre Magnan, un écrivain à la confluence de Zola et Giono”
Hélène Poiré (Université Laval, Canada): “Zola et Yi In-Jik: Pionniers de la modernité”
Hélène Poiré
Ki-Hwan Yu (Hankuk University of Foreign Studies, Korea): “Le Roman expérimental et le manifeste naturaliste de Corée – Émile Zola et Yeom Sang-Seob”
From left: Ki-Hwan Yu and Carolyn-Snipes Hoyt
Lisa Ng (Mount Royal University, Canada): “The Family by Shimazaki Toson: The Migration of Les Rougon-Macquart to Japan?”
Mélanie Giraud (Kenyon College, USA): “Les Rougon-Macquart by Emile Zola and Three Generations by Yom Sang-Seop: Two Families, Two Empires”
Mélanie Giraud
Juan Pablo Spicer-Escalante (Utah State University, USA): “Eugenio Cambaceres, Lucrecia Martel and Argentine Naturalism’s DNA”
Marcos Campillo-Fenoll (West Chester University of Pennsylvania, USA): “‘A girl must, a man may if he chooses’: Between Morality and Social Environment in Edith Wharton’s The House of Mirth and Eugenio Cambaceres’ En La Sangre”
Tania Carrasquillo Hernández (University of Iowa, USA): “La charca and the Consecration of the Puerto Rican Subaltern”
From left: Juan Pablo Spicer-Escalante, Tania Carrasquillo Hernández, and Marcos Campillo-Fenoll
From left: Justine Huet and Anna Gural-Migdal
Romain Chareyron (The University of Kansas, USA): “Naturalisme et porosité des genres filmiques dans Madeo (Mother, Bong Joon-Ho, 2010)”
Justine Huet (University of Alberta, Canada): “Pouvoir et corps sans organes dans The Housemaid de Sang-Soo Im”
Ana Oancea (Columbia University, USA): “Matters of Life and Death: Thirst as an Adaptation of Thérèse Raquin”
Ana Oancea
Welcoming Speech:
Changsoo Kim, Dean, Office of International Affairs, Pusan National University
Dean Changsoo Kim
Concert of Traditional Korean Music
Francis Lacoste (Institut Supérieur des langues de Gabès, Tunisie): “Flaubert et L’Assommoir”
Jeremy Worth (University of Windsor, Canada): “Documenting the Impasses of Existence under the French Second Empire: Paradigmatic Resonances and Deterministic Irony in Zola’s Fiction”
Anna Bondarenco (State University of Moldova, Moldova): “L’action et son agent rapportés à l’événement dans Germinal”
From left: Anna Bondarenco, Jeremy Worth, and Francis Lacoste
Chantal Morel (Institut français du Royaume-Uni, England): “Les migrations dans l’œuvre d’Émile Zola”
Andrea Gogrof-Voorhees (Western Washington University, USA): “Public and Private Hygiene in Emile Zola’s La Curée”
Carolyn Snipes-Hoyt (Pacific Union College, USA):”The Victorious ‘Other’ in La Débâcle by Emile Zola”
Andrea Gogrof-Voorhees
Chantal Morel
Guest Speaker: Alain Pagès (Université de Paris III-Sorbonne Nouvelle, France): “Comment définir le naturalisme?”
Alain Pagès
Wang Joo Lee (Film Institute, Pusan National University, Korea): “A Phenomenological Debate on Naturalism”
Simon Kim (Korea University, Korea): “Kim Tong-In’s Manifold Naturalism”
Simon Kim
Jin-Ho Kang (Kyungpook National University, Korea): “D.H. Lawrence and Nietzsche: Influence and Independence”
From left, Dong Kwan Kim, Carolyn Snipes-Hoyt, and Jin-Ho Kang
Aida Suleymenova (Far Eastern Federal University, Russia): “Japanese and Russian Writings on Nature – Naturalism or ECO Literature”
From left: Aida Suleymenova and Vasily Tolmatchoff
Guri Ellen Barstad (University of Tromsø, Norway): “Au-dessus des forces humaines de Bjørnstjerne Bjørnson. Ambiguïté d’une polémique sur le miracle”
Guri Ellen Barstad
Vasily Tolmatchoff (Lomonosov State University, Russia): “Oscar Wilde as a Reader of French Naturalism”
Fredrik R. Stark (Gyeongsang National University, Korea): “Experiencing Determinism in An American Tragedy: The Significance of Birds and Birdsong”
Fredrik R. Stark
Jean-Sébastien Macke
Loïc Thommeret (Oberlin College, USA): “Gervaise et la caméra: discours indirect libre et technique cinématographique dans L’Assommoir”
Diane Henneton (National Central University, Taiwan): “La Terre, hybridations”
Midori Nakamura (Université de Paris III-Sorbonne Nouvelle, France): “L’annonce zolienne: le roman et le cinéma”
Midori Nakamura
Jincai Yang (Nanjing University, China): “Emile Zola’s Critical Reception in China”
Kyoko Watanabe (Meiji University in Tokyo, Japan): “La réception de Zola et son influence au Japon”
Akiko Miyagawa (University of Hiroshima, Japan): “Accueil du Travail de Zola au Japon”
Miyuki Terashima-Fukuda (Université de Paris III-Sorbonne Nouvelle, France): “Les avatars du naturalisme français au Japon: du roman naturaliste au roman personnel”
From left: Akiko Miyagawa, Lisa Ng, Kyoko Watanabe, Anna Gural-Migdal, Miyuki Terashima-Fukuda, and Midori Nakamura
Covea Cruise Tiffany 21
From left: Anna Gural-Migdal, Alain Pagès, Chiu-Yen Shi, and Miyuki Terashima-Fukuda
Christian Mbarga (St. Thomas University, Canada): “Émile Zola, figure de proue du naturalisme ou historien méconnu?”
Julia Przybos (Hunter College and the Graduate Center, CUNY, USA): “Entre document et fiction: le cas des Sous-offs de Lucien Descaves”
Ye Young Chung (Seoul National University, Korea): “La Débâcle: un documentaire de guerre?”
Sonia Lagerwall (University of Gothenburg, Sweden): “Documentary Functions of the Visual Arts in the Rougon-Macquart Series.
Soundouss El Kettani (Royal Military College of Canada, Canada): “Temps et vérité dans Lourdes”
From left:Christian Mbarga and Soundouss El Kettani
Woosung Kang (Seoul National University, Korea): “Ozu Yasujiro and the Naturalism of Fantasy Still-Life”
Youngjeen Choe (Chung-Ang University, Korea): “Zen Buddhism and Nature: A Note on Why Bodhidhama Has Left for the East”
In-Young Nam ( Im Kwon Taek College of Film and Performing Arts, Dongseo University, Korea):“Indexical Desire of 'Docu-drama': Im Kwon Taek's 101st Hanji”
From left: In-Young Nam, Rosemary A. Peters, Anna Gural-Migdal, Woosung Kang, Youngjeen Choe, and Wang Joo-Lee
Guest Speaker: Myong-Hwan Jung (Seoul National University and Korea National Academy of Sciences, Korea): “Les deux faces d’Émile Zola”
Anna Gural-Migdal (University of Alberta, Canada): “Composition du cadre et montage dans Germinal de Zola et Strike de Eisenstein”
Larissa Sloutsky (The University of Western Ontario, Canada): “La mémoire creative du genre: (ré)inventer “Boule de suif” de Maupassant dans le film Pyshka de Romm (URSS, 1934) et Boule de suif de Christian Jaque (France, 1945)”
Rosemary A. Peters (Louisiana State University, USA): “Tracking Zola: Cristina Comencini’s La Bestia nel Cuore”
Rosemary A. Peters
Organizing Committee with PNU Students
Jean Anderson (Victoria University of Wellington, New Zealand): “A Woman Naturalist? Henry Gréville (Alice Durand, née Fleury, 1842-1902)”
Jean Anderson
Marie-Sophie Armstrong (Lehigh University, USA): “Marius Roux, un ‘petit’ naturaliste dans l’ombre de Zola”
Rod Cooke (Columbia University, USA): “Céard and Hennique’s Attack on the Free Indirect Style”
Rod Cooke and Jeremy Worth
Sébastien Roldan (Université du Québec à Montréal, Canada et Université Paris Ouest-Nanterre, France): “Quelle Joie de vivre dans La Course à la mort? Le narrateur pessimiste d’Édouard Rod comme réponse au Lazare Chanteau d’Émile Zola”
Sébastien Roldan
Mihaela Marin (University of South Alabama, USA): “Concept anatomique ou métaphore? Le roman ‘respiratoire’ de Zola”
Mihaela Marin
Chiu-Yen Shih (Tamkang University, Taiwan): “La physiologie du corps dans la critique d’art d'Émile Zola”
Hyun-Soo Park (Sungkyunkwan University, Korea): “Naturalism and Sexuality: Focus on Kim, Dong-In’s Novels”
Haroldo Ceravolo Sereza (University of São Paulo, Brazil): “Machado de Assis and the Problem of ‘Realism-Naturalism’”
Larissa Clachar (University of Alabama, USA): “Idiosyncrasies of Naturalism in the Spanish-Speaking World”
Seongho Yoon (Hanyang University, Korea): “Can the Spy Speak?: (Dis)Placing the Grounds of Naturalism in Chang-Rae Lee’s Native Speaker”
From left: Haroldo Ceravolo Sereza, Larissa Clachar, Seongho Yoon, and Il-Jae Jo
Centred on the rise and fall of a greedy young hoodlum, Choi Tae-Woong, during the country’s military dictatorship, this film is a mix of naturalism and the genre of film noir.
Korean Director Kwon Taek Im and Conferencegoers
Sur invitation de l’Institut Français de Corée du Sud et de l’Alliance Française de Busan,
en partenariat avec l’Ambassade de France en Corée du Sud:
Soirée française du Festival international du film de Busan (BIFF):
From left: French Actress Isabelle Huppert, Sang-Koo Kim, Alain Pagès, and Anna Gural-Migdal
AIZEN®, Association Internationale Zola et le Naturalisme, University of Alberta
PUSAN NATIONAL UNIVERSITY:
College of Education
Film Institute
Graduate School
Office of International Affairs
Alliance Française de Busan
Ambassade de France en Corée du Sud
Institut Français de Corée du Sud
Greater Busan Convention and Visitors Bureau
Busan International Film Festival
Tae-Heum Cho, Dean, Graduate School, Pusan National University
Changsoo Kim, Dean, Office of International Affairs, Pusan National University
Anna Gural-Migdal, Organizer-in-Chief, President of the AIZEN®
Sang-Koo Kim, Local Organizer-in-Chief
Carolyn Snipes-Hoyt, Organizer and Secretary-Treasurer of the AIZEN®
Il-Jae Joe and Wang Joo Lee, Local Organizers
Riikka Rossi and JeremyWorth, AIZEN® Organizers
Justine Huet, AIZEN® Assistant Organizer
Sojin Park, Convention Marketing, Greater Busan Convention and Visitors Bureau
Yong-Kwan Lee, Director, Busan International Film Festival
Sang-Hoon Kim, Reporter of Culture Department, The Busan Ilbo (Daily News)
Brandon Kim, Sales Manager, Hotel Nongshim, Busan
Jae Uk Jung, Sales Manager, Sangnam International House, Busan
Jin Yeong Kim, General Manager, The Westin Chosun Busan
David Du, Guest Service Supervisor, The Westin Chosun Busan
Ana Anubis of Ingénieuse Productions, AIZEN Graphics©
Philip Hoyt, AIZEN Web Site©
Anna Gural-Migdal, University of Alberta, Canada
Juan Pablo Spicer-Escalante, Utah State University, USA
Aude-Emeline Loriot-Nurbianto, Directrice, Alliance Française de Busan
Jean-Sébastien Macke, Centre Zola, ITEM-CNRS, Paris
Chantal Morel, Institut Français du Royaume Uni and Emile Zola Society, London
Yong Ho Choi, Société Coréenne de Langue et Littérature Françaises
Akiko Miyagawa, Cercle de Recherches sur le Naturalisme Français, Japan
Alain Pagès, Honored Guest, Editor-in-Chief of Les Cahiers naturalistes
Kwon-Taek Im, Honored Guest, Filmmaker
Keith Newlin, Special Guest, Editor-in-Chief of Studies in American Naturalism
Myong-Hwan Jung, Special Guest, Member of Korea National Academy of Sciences
and ...
a big thank you to Isabelle Huppert, Actress