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Emile Zola and Naturalism 6th International Film Festival
September 20-22, 2000
hosted by University of Alberta, Department of Modern Languages and Cultural Studies
Organizers: Organizer-in-chief: Anna Gural-Migdal (University of Alberta, Canada) Sponsors: Social Sciences and Humanities Research Council of Canada
WEDNESDAY, SEPTEMBER 20 8:00-9:00 AM REGISTRATION, 9:00-9:30AM OPENING SPEECHES, Carolyn Snipes-Hoyt, Secretary of the AIZEN� Ken Norrie, Dean, Faculty of Arts, University of Alberta Nasrin Rahimieh, Associate Dean, Faculty of Arts, University of Alberta Don Bruce, Chair, Department of Modern Languages and Cultural Studies, University of Alberta Grzegorz Swoboda, Consul, Consulate General of the Republic of Poland, Vancouver Anna Gural-Migdal, President of the AIZEN�
SECTION A 9:30-11:30 AM, Map Room Zola's Influence on French-speaking Naturalist Writers Nelly Sanchez (University of Haifa, Israel): "Rachilde: détractrice et continuatrice du Naturalisme" Dominique Laporte (University of Manitoba, Canada): "L'influence de La Curée sur un roman décadent Les Hors nature (1897) de Rachilde" Philippe Chavasse (Southern Illinois University at Carbondale, USA): "Dérive naturaliste: L'homme en amour" Pedro Paulo Catharina (Federal University of Rio de Janeiro, Brazil): "Huysmans critique de Zola" 11:30 AM-1:00 PM LUNCH SECTION B 1:15-1:45 PM, Map Room Special Presentation: Zola the Novelist Guest Speaker: Colette Becker (University of Paris X-Nanterre, France): "Imagination, invention. L'esthétique zolienne à partir des dossiers préparatoires du romancier"
SECTION C 1:45-3:15 PM, Map Room Zola and Naturalism in Canada Eric Cahm (University of Tours, France): "Zola et l'Affaire Dreyfus vus du Canada au tournant du siècle" John McDowell (Canadian University College, Canada): "Atwood's 'Polarities,' Naturalism and Canadian Literature" Anna Gural-Migdal (University of Alberta, Canada): "Léolo de Jean-Claude Lauzon ou l'impossible exogamie" 3:15-3:30 PM, BREAK SECTION D 3:30-5:00 PM, Map Room Naturalism as Concept Filippo Salvatore (Concordia University, Canada): "La science en Europe à la fin du 19e siècle: Francesco de Sanctis et son interprétation de Zola et Darwin" Didier Maleuvre (University of California at Santa Barbara, USA): "Can We Believe Darwin?" Vijay J. Mascarenhas (Hunter College, CUNY, USA): "Can Consciousness Be Naturalized?"
6:00-7:00 PM OPENING AIZEN COCKTAIL,
STUDENT LOUNGE, ARTS BUILDING Special Presentation: 75th Anniversary of the Death of the Polish Writer Wladyslaw S. Reymont (Nobel Prize in Literature, 1924) Guest Speaker: Robert Walenciak, Journalist ("Przeglad", Poland): "L'influence de Zola sur les romans les plus connus de Reymont: La Terre promise et Les Paysans"
SECTION E (Wednesday, September 20) 9:30-11:30 AM, Alberta Room Women and Society in Naturalist Fiction Pilar V. Rotella (Chapman University, USA): "Naturalism, Regionalism, Feminism: The Rural Stories of Emilia Pardo Bazán and Catarina Albert i Paradís" Cristina Ruiz Serrano (University of Alberta, Canada): "El personaje femenino y su situación social en Los pazos de Ulloa de Emilia Pardo Bazán y La Montálvez de José María de Pereda" Pauline Willis (University of Calgary, Canada): "Comestibles et commérages dans Le Ventre de Paris" Holly Woodson Waddell (Northwestern University, USA): "Venus in the Gutter: The Theatrics of Social Decline in Zola's Nana" 11:30-1:00 PM LUNCH SECTION F 1:45-3:15 PM, Alberta Room Laughter and Madness in Zola's Writing Mario Petrone (University of Naples, Italy): "Le rire et le délire dans La Faute de l'abbé Mouret et Le Docteur Pascal de Zola" Jeremy D. Worth (University of Western Ontario, Canada): "L'enfant-adulte/adulte-enfant, présage du néant" Carmen Mayer-Robin (University of Oregon, USA): "Crepitus se fait entendre: Scatological Humor and Naturalism in Flaubert's La Tentation de saint Antoine" 3:15-3:30 PM BREAK SECTION G 3:30-5:00 PM, Alberta Room Writing the Object in French Naturalist Fiction Mihaela Marin (Ohio State University, USA): "Zola et la poétique du pittoresque: Femme-plante ou femme-pierre?" Danielle Bishop (University of Plymouth, UK): "To Burn But Not Be Burnt: The Corset in Zola's Novels" Ruth Schurch-Halas (University of Calgary, Canada): "Les Goncourt et Zola, collectionneurs du détail pathologique"
Naturalist Film Festival 6:45-9:45 PM, Room 301 LEOLO (Jean-Claude Lauzon, 1993, Canada, 107 min., in French with English subtitles) NIGHT ZOO (Jean-Claude Lauzon, 1987, Canada, 115 min., in French with English subtitles)
THURSDAY, SEPTEMBER 21 SECTION H 8:30-10:30 AM, Map Room Zola and Other European Writers Boris Hlynsky (USA): "Some Influences of Emile Zola on Ivan Franko" Nicholas Ruddick (University of Regina, Canada): "The Ripper's Shadow: Gynecidal Mania in Tolstoy's The Kreutzer Sonata and Zola's La Bête humaine" Wojciech Tomasik (University of Bydgoszcz, Poland): "The Crazy Locomotive: Witkacy versus Zola" Gian Carlo Menichelli (University of Naples, Italy): "D'Annunzio et Zola" 10:30-10:45 AM BREAK SECTION I 10:45-12:15 AM, Map Room Zola's Short Stories Olga Kronmeyer (Liberty University, USA): "The Overthrow of Myth in Zola's 'The Attack on the Mill'" Marjolein van Tooren (Free University, The Netherlands): "'Angeline' et 'Madame Sourdis': Deux récits brefs de Zola, deux regards critiques sur la littérature fantastique et la peinture romantique" Kelly Benoudis Basilio (University of Lisbon, Portugal): "Pour une typologie du conte naturaliste zolien"
12:15-1:15 PM LUNCH SECTION J 1:15-1:45 PM, Map Room Special Presentation: Zola and the 20th Century Guest Speaker: Alain Pagès (University of Reims, France), "Le retour à Zola (1931-1932)"
SECTION K 1:45-3:15 PM, Map Room History, Ideology, Utopia and Politics in Naturalist Fiction Francis Lacoste (University of Sousse, Tunisia): "Zola et le personnel politique de la Troisième République" Krystof Haavik (University of Botswana, Botswana): "Zola's Microcosmic Villages: Images of Hope?" Ester J. Hoogstaden (Ohio State University, USA): "Le genre narratif comme réflexion sur l'histoire: une étude des oeuvres de Flaubert et Zola" 3:15-3:30 PM BREAK SECTION L 3:30-5:00 PM, Map Room Panel: Naturalism and Voyeurism Juan Pablo Spicer-Escalante (Oakland University, USA): "Patriarchy and Voyeurism: The Art of Visual Possession and Rejection in Eugenio Cambaceres' Sin rumbo (1885)" Juliana Starr (Christian Brothers University, USA): "Men Looking at Art: Aesthetic Voyeurism in Two Novels by Emile Zola" Pierre Coudert (Assumption College, USA):"Naturalisme et voyeurisme dans Marthe, histoire d'une fille et Les Soeurs Vatard de J.-K. Huysmans"
SECTION M 8:30-10:30 AM, Alberta Room Critical Reception of Zola around the World Mary Elizabeth Leighton and Kirsten MacLeod (University of Alberta, Canada): "The Trials of Naturalism: Zola in the British Literary and Cultural Imagination of the fin de siècle"
Chantal Morel (Institut Fran�ais de Londres, UK): "Travail: Labor of Love or Love of Labor" Margot Versteeg (University of Amsterdam, The Netherlands): "El naturalismo huele y no a rosas: la recepción crítica del naturalismo en la revista Madrid Cómico" Ligia Vassalo (Federal University of Rio de Janeiro, Brazil): "Le projet Rougon-Macquart et sa lecture brésilienne"
10:30-10:45 AM BREAK SECTION N 10:45-12:15 PM, Alberta Room Naturalist Writers and Painting Hélène Poiré (Université Laval, Canada): "Peindre comme on écrit: La Nature vraie de L'Oeuvre (1885-1886) chez Zola"
Sayeeda H. Mamoon (Edgewood College, USA): "Mirroring Feminity: Specular Images and Self-Reflexivity in Zola, Manet, Morisot, and Cassatt"
Halina Suwala (University of Warsaw, Poland): "Maupassant 'salonnier'" 12:15-1:15 PM LUNCH SECTION O 1:45-3:15 PM, Alberta Room Naturalism in Film and the Media Wieslaw Godzic (Jagiellonian University, Poland): "The Concept of 'Naturalism' in Recent TV, Video Games, and Cyber Art" Andrzej Pitrus (Jagiellonian University, Poland): "The Case of Pekosiñski: Film as Therapy" Klaus Peter Walter (University of Passau, Germany): "Le discours naturaliste et sa transposition à l'écran entre le muet et le sonore: les adaptations de Au Bonheur des Dames par J. Duvivier (1929) et A. Cayatte (1943)"
3:15-3:30 PM, BREAK SECTION P 3:30-5:00 PM, Alberta Room Hispanic and Spanish Naturalism Richard Young (University of Alberta, Canada): "Naturalism and Racism in South America: Jorge Icaza's Huasipungo" José Antonio Ramos (Boston College, USA): "Naturalismo romántico y modernista en los cuentos de Baldomero Lillo, Javier de Viana y Augusto d'Halmar" Jeffrey Oxford (University of North Texas, USA): "Blasco Ibáñez's Misogynist Predeterminism"
6:00-7:30 PM COCKTAIL, Sorrentino, Varscona Hotel Special Presentation: "Zola et ses enfants" ITALIAN NATURALIST SUPPER, Sorrentino, Varscona Hotel
FRIDAY, SEPTEMBER 22 SECTION Q 8:30-10:30 AM, Map Room Naturalism in Central Europe Sigfrid Hoefert (University of Waterloo, Canada): "Gerhart Hauptmann's Impact on the Work of Other Writers in the German Heartland and Abroad" Werner Michler (University of Vienna, Austria): "Was There an Austrian Naturalism and if so, What Was It?" Karl Wagner (University of Vienna, Austria): "(Anti-) Naturalist Tendencies in Austrian Literature" Bozena Tokarz (University of Silesia, Poland): "Les continuations polonaises du biologisme d'Emile Zola"
10:30-10:45 AM BREAK SECTION R 10:45-12:15 PM, Map Room Naturalism and Other Literary Movements Arturo Larcati (University of Salzburg, Austria): "L'héritage de Zola dans l'expressionnisme allemand" Aleksander Ablamowicz (University of Silesia, Poland): "Les sources naturalistes du réalisme socialiste en Pologne" Vasily M. Tolmatchoff (Lomonosov State University of Moscow, Russia): "A Typology of Naturalism and the Problem of Romantic Culture" 12:15-1:15 PM LUNCH SECTION S 1:15-2:45 PM, Map Room Panel: A Rebours: Naturalism as Anti-Model in Turn-of-the-Century Europe Richard Shryock (Virginia Polytechnic Institute and State University, USA): "Symbolism and Naturalism: 'frères ennemis'" Holly Haahr (Yeshiva University, USA): "Laforgue on Zola, or 'les suites de la piété filiale'" Sara Ogger (Montclair State University, USA): "On the Symbolist Roots of Georg Lukacs' Naturalism"
2:45-3:00 PM BREAK SECTION T 10:45-12:15 PM, Map Room Discursive and Narrative Strategies in Zola's Text Dominique Perron (University of Calgary, Canada): "L'exaspération scripturale dans Au Bonheur des Dames: l'étalage des étalages" Marie-Fran�oise Delaneuville-Shideler (Carleton University, Canada): "Camouflage et subjugation de la femme dans L'Argent de Zola et Huis clos de Sartre" Lisa Ng (University of Calgary, Canada): "L'écriture du hasard dans Germinal et L'Assommoir" Iole Checcone (Youngstown State University, USA): "Document as Fiction: mimetic device or naturalist lure"
SECTION U 8:30-10:30 AM, Alberta Room Cinematic Variations on Zola's Themes (with special screenings) Gilbert Darbouze (Bloomsburg University, USA): "L'amour à mort dans Thérèse Raquin d'Emile Zola et Le Facteur sonne toujours deux fois par James Mallahan Cain" Tony Williams (Southern Illinois University, USA): "George A. Romero, Dawn of the Dead, Au Bonheur des Dames and Cinematic Naturalism" Russell Cousins (University of Birmingham, UK): "A qui La Faute...? Re-Subverting the Subversive: Franju's Reworking of Zola's Garden Eden Story"
10:30-10:45 AM BREAK SECTION V 10:45-12:15 PM, Alberta Room From Text to the Visual Janice Best (Acadia University, Canada): "Souvarine: le nihiliste désamorcé" Florence Fix (University of Bourgogne, France): "'Adapter' Le Ventre de Paris: théâtre ou cinéma?" Miriella Melara (University of Nevada at Reno, USA): "Zola's 'photographies expérimentales'" 12:15-1:15 PM LUNCH SECTION W 1:15-2:45 PM, Alberta Room Jurate Kaminskas (Queen's University, Canada): "De la séduction et du pouvoir: Son Excellence Eugène Rougon" Marie-Sophie Armstrong (Lehigh University, USA): "Drôle de repas de famille; Totem et tabou dans La Fortune des Rougon" Christopher Rivers (Mount Holyoke College, USA): "Improbable Prescience: Emile Zola and the Origins of Homosexuality" Naturalist Film Festival 6:15-10:00 PM, Arts 106 THE SAVAGE WOMAN (Lea Pool, 1991, Canada, 100 min., in French with English subtitles) CANADA'S SWEETHEART (Donald Brittain, 1985, Canada, 115 min., in English) 2:45-3:00 PM BREAK
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