FROM THE EDITOR...The three-day International AIZEN Conference at the University of Philadelphia marked the 10th anniversary of the foundation of our association in North America. The largest number of participants ever planned to attend the conference and many special activities were slated for the occasion. Although somewhat darkened by the September 11 tragedy, the event went very well and participants entered enthusiastically into the scholarly exchange with colleagues. The challenge was to resist the thought of canceling the conference and instead follow through with our conviction that it was a crucial moment for the affirmation of scholarly and humanistic endeavors, especially in an association devoted to an intellectual respected for his bold involvement in current events. It was important to inspire strength and show our solidarity when confidence was in danger of faltering. Since the AIZEN came into being on the East Coast of the United States, participants felt a return to origins, in the beautiful city of Philadelphia, in spite of the fact that access was denied to the Liberty Bell, one of the most important symbols of America. At the conference itself, participants particularly valued the contributions of the honored guests, which, now in retrospect, can be seen as precious gifts.
Honored guest Naomi Schor (Yale University, USA), internationally recognized nineteenth-century scholar and foremost Zola specialist in North America, fell victim to a brain hemorrhage on December 2, 2001. And then, on January 26, 2002, our other honored guest, the greatest specialist of the Dreyfus Affair, Eric Cahm (Université de Tours, France) died suddenly of a heart attack. The 10th International AIZEN Conference at the University of Philadelphia was to be the last formal speaking engagement for the two luminaries. The AIZEN executive, on behalf of its members, offers heartfelt condolences to these scholars' families and other colleagues. We pay tribute in the pages of this publication and, in order that their memory remain alive, we have decided to rename the AIZEN Award, meant to reward the best paper written by a doctoral student and presented at one of our conferences, the Schor/Cahm Award. What these two scholars held in common was their remarkable combination of great erudition and intellectual audacity, a stance that led them to view their own research as pedagogy, in terms of innovation or even provocation. They remained committed to providing carefully documented, astounding new insights that have affected the way we, from our 21st-century perspective, view attitudes and preoccupations during Zola's lifetime. One need only think of Naomi Schor's bold examination of the representation of the feminine in Zola's novels or Eric Cahm's emphasis on the necessity of taking into account the reactions of political moderates, relatively "silent" majorities, to issues raised by Zola's intervention in the Dreyfus Affair. Not only do we hold in high estimation the products of these seemingly indefatigable researchers' efforts, but we have been touched as well by the extraordinary modesty and human warmth they exhibited when taken into confidence. We are grateful to Professor Schor for having chosen the AIZEN conference as a forum for her very challenging paper "Visualizing Zola," which called into question the value of a Cultural Studies approach to Zola's preparatory sketches of novels. We were privileged to hear the results of Eric Cahm's unique research into immediate reactions of the French press to Zola's intervention in the Dreyfus Affair, a paper entitled "Brave Champion of Truth or Insulter of the French Army: The View of Zola in France after 'J'accuse ...!'" We thank Samuel Preston, Dean of the School of Arts and Sciences, and Associate Dean Joseph Farrell, for welcoming the AIZEN to the University of Pennsylvania in Philadelphia, and are grateful to Carlos Alonso, Chair, Department of Romance Languages, for hosting the conference. Our thanks go to the French Institute for Culture and Technology at the University of Pennsylvania, and its director Jean H. Gallier, for sponsoring the event. A special thank you to Juliette Parnet, Assistant Director of the French Institute for Culture and Technology, who coordinated all local operations and made sure the conference ran smoothly; to Maurice Samuels and Jean-Marie Roulin, our liaisons with the Department of Romance Languages; and to Lucienne Frapier-Mazur for initiating the project of bringing the AIZEN to the University of Pennsylvania in Philadelphia.
The Dreyfus Affair received special attention at this conference. The Beitler Family Foundation, with the collaboration of the AIZEN and the University of Pennsylvania, brought an exhibit entitled "Zola and the Dreyfus Affair: Intellectuals and the Struggle for Social Justice" to the Lessing J. Rosenwald Gallery of the Van Pelt-Dietrich Library (University of Pennsylvania) in celebration of our association's 10th anniversary and to coincide with the 2001 AIZEN International Conference. We extend our thanks to Lorraine Beitler, president of the Beitler Family Foundation, and Michael Ryan, Director of the University Libraries. The Opening Wine and Cheese took place on the evening of October 4 at this exhibit in the presence of dignitaries from the University of Pennsylvania, the city of Philadelphia, and members of the local Franco-American community. During the cocktail, honored guest Professor Eric Cahm made introductory remarks and commented from a historian's perspective on the items in the exhibit. Other internationally known scholars attended this conference as well. We thank them for their invaluable contributions to its intellectual climate and success. Pierre Dufief of the Université de Bretagne Occidentale, France, who is President of the Association des Goncourt, and Anne-Simone Dufief, from the Université de Paris X - Nanterre, and internationally recognized Daudet specialist, provided, through their participation, an important new dimension to this conference. We thank Vasily Tolmatchoff and Wojciech Tomasik, who courageously made the trip to Philadelphia when many were afraid to board international flights destined for the U.S. The two broad lines of this conference were determined by the two honored guests' cultural studies approaches to naturalist texts and issues of ethnicity associated with Zola's novels or his intervention in the Affair. In harmony with the American location, the conference featured a panel on Dreiser, to mark the 130th anniversary of the author's birth. We would like to acknowledge the efforts of a number of our members who organized panels for this conference. Our thanks go to Tony Williams for putting together a panel entitled "American Psycho: Literary and Cinematic Naturalist Approaches." We are grateful to Rohini Bannerjee, for her panel on Thérèse Raquin, and to Rachel Mesch, for another entitled "Science and Sex: Desire in Zola and After." Finally, we would like to express our appreciation to Gayle A. Levy for organizing the panel, "The Hero as Genius in Nineteenth-Century France," and to Sayeeda Mamoon and Juan Spicer-Escalante for their panel: "Uncontainable Bodies: Adulteresses, Androids, Androgynes, and Vampires in European and South American Literature." At the AIZEN Banquet held at the Sheraton University City Hotel, the AIZEN Award for the Best Graduate Student Paper was presented to Göran Blix, from Columbia University. He read his text, entitled "'Le trou dans L'Œuvre': Zola's Punctured Text," at this event, commanding the attention of diners. A longer version of his paper is included in Volume XVI of Excavatio.
We thank Robert Singer for organizing the 7th International Naturalist Film Festival. In line with the focus on the Dreyfus Affair at the Philadelphia conference, two films produced in the English-speaking world on this topic were shown: Prisoner of Honor (1991), by Ken Russell, where the event is recorded from the point of view of the (real) counter-intelligence agent who confronts the French military establishment; and I Accuse (1958), by José Ferrer, where the director of the film also gives a compelling performance as Dreyfus suffering horrific injustices contrived by the French military. Thank you to Tony Williams, who arranged for the invitation of filmmaker George Romero, best known for The Night of the Living Dead, to the conference, as a special guest. Two of this filmmaker's horror films were screened: Dawn of the Dead (1979), a film that has recourse to the figure of ingestion Zola used in Au Bonheur des Dames to render concrete the frenzied monopolization of the retail market by department stores before the turn of the twentieth century; and Martin (1976), which explores the influence of milieu. The conference participants ended their stay with a walking tour of the University City area, one of Philadelphia's first suburbs. They also enjoyed a visit to the Rodin Museum and the Philadelphia Museum of Art. This latter is one of the largest art museums in the U.S. and features, in particular, a very rich collection of impressionist paintings. The 10th International AIZEN Conference ended on a note of cultural enjoyment that detracted from signs of a city in mourning and reaffirmed, in the minds of participants, the much-repeated slogan: "Philadelphia is the place that loves you back." It is a great privilege for the AIZEN to honor the One-Hundredth Anniversary of Emile Zola's death in Spain. I wish to thank the Universidad de Jaén and Rector Luis Parras Guijosa, for welcoming us. We owe a special thank you and word of appreciation to the Departamento de lenguas y culturas mediterráneas, and its director, Guadalupe Saiz Muñoz, for hosting and sponsoring this event. We would like to express our appreciation as well to the Facultad de Humanidades y Ciencias de la Educación and the Secretariado de Relaciones Internationales, here at the Universidad de Jaén, for their support. We are grateful to the Spanish Ministerio de ciencia y technología and the Ministerio de Educacion, cultura y deporte, for their endorsement of this conference. And we heartily thank the Junta de Andalucía, the Diputación Provincial de Jaén and its president Felipe López, and the City of Jaén, for their warm welcome to this fascinating region. As Organizer-in-chief of this conference, I would like to extend a special thanks to Encarnación Medina Arjona, Professor in the Departamento de lenguas y culturas mediterráneas at the Universidad de Jaén, for initiating the project of bringing the 11th International AIZEN Conference to Spain. As Co-organizer, she has played a key role in ensuring its success. It has been my distinct pleasure to work with her, Robert Singer, and Carolyn Snipes-Hoyt, my closest collaborators, in the organization of this conference. The result of our efforts and the positive response of our members and all participants is a unique conference offering many opportunities for the circulation of knowledge. Ninety participants have come from eighteen different countries and four continents to share in the extraordinary scholarly exchange that has become part of the AIZEN's renown. We welcome scholars from Spain, Portugal, France, Finland, Greece, Austria, Italy, Germany, Canada, the USA, Mexico, South Korea, the Netherlands, England, Poland, Australia, Brazil, and Israel. This is the AIZEN's most international conference to date. The centenary of Zola's death will be featured in the sessions, as well as the impact of Zola, Naturalism and the Dreyfus Affair in Europe and in the Americas in literature and film. This conference offers special panels on Les Trois Villes, Une Page d'amour, and Thérèse Raquin, and sessions devoted to various aspects of naturalist representation in fiction and cinema: for example, motifs and themes, utopia and dystopia, mythology, pre-texts, the feminine, critical and aesthetic approaches, and the representation of animal instincts. We are privileged to welcome honored guest Brigitte Emile-Zola, M.D., great-granddaughter of the writer we celebrate. Dr. Emile-Zola maintains a private collection, her legacy from her great-grandfather's family. At the Naturalist Dinner, it will be our pleasure to hear her presentation entitled "Portrait de Jeanne Rozerot d'après les souvenirs de son fils Jacques et un choix de lettres inédites de Zola" based on unique, unpublished material. We are thrilled to welcome two special guests. Yves Chevrel comes to us from Université de Paris IV - Sorbonne, world-renowned specialist in naturalism and comparative literature and author of major works, such as Le Naturalisme: Étude d'un mouvement littéraire international (PUF 1982, 1993) and La Littérature comparée, collection "Que sais-je?" The title of his presentation on Thursday will be "Zola et le renouveau de l'art dramatique en Europe à la fin du XIXième siècle." Françoise Gaillard teaches at the Université de Paris VII - Denis Diderot, and has been a Guest Professor at New York University and Northwestern University, in the U.S. She has written numerous articles on nineteenth-century French novelists Balzac, Stendhal, Flaubert, Huysmans and Zola. Her most recent longer work is La Modernité en questions (Editions du Cerf 1993), prepared in collaboration with Jacques Poulain. On Friday she will present a paper entitled "Zola, le oui à la vie: de La Bête humaine au Docteur Pascal". On Thursday and Friday, all conference sessions will take place in the Building D1 "Edificio Zabaleta" of the Campus Las Lagunillas, Universidad de Jaén, either in the "Sala de Grados" or in the "Sala de Juntas." On Saturday, June 15, the sessions will be held in the Hospital San Juan de Dios, either in the room "Capilla" or in the room "San Vicente 2." On Thursday afternoon, you are invited to attend the Opening Cocktail, where tapas, beer, and Sangría will be offered by the Faculdad de Humanidades and the Secretariado de Relaciones Internacionales de la Universidad de Jaén. In the evening, the Jaén City Hall is offering a reception for conference participants and a guided tour of this city that boasts architectural examples from most periods of the history of the Iberian peninsula. Friday evening, the Naturalist Dinner in honor of Brigitte Emile-Zola will take place at the Parador Hotel, Castillo de Santa Catalina, Room "Sala Condestable." Conference participants and their guests are invited to attend the banquet at this magnificent hotel located at the summit of the Cerro Santa Catalina. The hotel is adjacent to a castle by the same name, built for King Alhamar, the king who built the Alhambra in Granada, and was later conquered by King Ferdinand III El Santo. The price per person for this dinner is 42 euros, all inclusive. Drinks available are as follows: beer, soft drinks, mineral water, white and red wine, a Catalan champagne, and coffee. The recipient of the Schor/Cahm Award for the Best Graduate Student Paper will be announced on this occasion. On Saturday, participants are cordially invited to a lunch offered by the Diputación Provincial de Jaén, at the Restaurante de l'Hospital San Juan de Dios, where the conference session will be held. In the early evening, there will be a guided tour of the Arab Baths. The two films that make up our Naturalist Film Festival at this conference are about dogs: an older one that influenced a more recent one. The first film to be shown is a rare copy of Un Chien andalou (1929), by Luis Buñuel. This film, made in collaboration with Salvador Dali, anticipates Buñuel's later style in its exaltation of erotic desire. The bizarre imagery of this classic includes severed hands, priests, and rotting donkeys, creating a poetic illusion of reality that has no equal in film history. The complex drama Amores perros (2000), by Mexican director Iñárritu, centers on a dreadful automobile accident and its consequences as played out in the lives of several characters. Love, politics, sex, violence, jealousy, and our four-legged friends make this a fascinating film. On Sunday, the AIZEN is offering conference participants an excursion to Granada and the Alhambra. Transportation will be provided in a luxury coach for sixty persons. At 8:45 a.m. participants will depart for Granada. Conference-goers will benefit from a group rate for admission to the Alhambra, making a visit to various sections-the Alcazaba, Palacios Nazaríes, and Generalife. On the return trip to Jaén, there will be a stop in Mirador San Nicolás, where participants will be able to eat lunch and shop, before returning to Jaén. Accommodations in Jaén have been arranged at two hotels-Hotel Condestable Iranzo and Hotel Infanta Cristina. The Hotel Infanta Cristina, ten minutes from the university by public transportation, is a recently built four-star luxury hotel with a courtyard patio and swimming pool on the Avda. de Madrid s/n. The Hotel Condestable Iranzo is a three-star establishment, twenty minutes from the university by public transportation, Paseo de la Estación, 32. Both hotels offer parking, swimming pool, breakfast, and air-conditioned rooms. We encourage you to consult the tourist information provided in your folder and try the authentic Andalusian cuisine in some of the recommended nearby establishments. Please keep in mind that there are no restaurants in the immediate vicinity of the university. However, meals at the university cafeteria cost no more than 10 euros and this service is available from 8:00 am to 7:00 pm.
Looking ahead to future conferences, you will find some not-to-be-missed opportunities to present conference papers. In 2003, the International AIZEN Conference will take place from October 9 to 11 at the University of Texas in San Antonio. A special thank you to Jeanne Campbell Reesman, Dean of Graduate Studies, for initiating this project of bringing the AIZEN to the University of Texas in San Antonio and making preliminary arrangements. Her continued support is much appreciated. We extend our thanks to the Department of Modern Languages and Literatures, and its Chair, Marita Nummikoski, for hosting the conference, and to local organizer and liaison with the department, Santiago Daydí-Tolson, who has already shown a great deal of enthusiasm in the initial preparations. The conference sessions will be held on the Downtown Campus of the University of Texas in San Antonio. All the major attractions of this old Spanish city will be easily accessible, including restaurants and the historic river valley, where you can take a moonlit cruise and learn of local lore. The 13th International AIZEN Conference will be held for the first time in South America, in the beautiful city of Rio de Janeiro, Brazil, from May 25 to 28, 2004. This event will last four days, instead of the usual three, and will be open to approximately 125 participants, in order to emphasize the importance of Emile Zola in Brazilian culture and show his influence on naturalist writers using the Portuguese language. The conference will be sponsored by the Faculty of Humanities at the Federal University of Rio de Janeiro and the Casa de Rui Barbosa Foundation, which has played an important role in promoting literature and culture and has, interestingly, a close connection to the Dreyfus Affair. We extend heartfelt thanks to Ligia Vassallo and Pedro Paulo Catharina, from the Faculty of Humanities, who have offered their collaboration with the AIZEN to bring this project into existence, and will serve as co-organizers of the conference. We are grateful to Marcelo Jacques de Moraes, the Coordinator of the Programa de Post-graduaçao em Letras Neolatinas at the same university and to Dr. Mario Brockmann Machado, President of the Fondation Casa de Rui Barbosa, where the conference sessions will take place, as well as the Naturalist Film Festival. This is a magnificent edifice from the 19th century, surrounded by gardens, and outfitted with ultra-modern facilities. Unfortunately, in moving now to news of our members, we have one more item of sad news to report. We must register the passing of Colin Burns, the founding and honorary president of the Emile Zola Society based in the United Kingdom. Before his retirement in 1988, Colin Burns was Head of Department at the University of Birmingham. He was a specialist in Céard and author of Henry Céard et le naturalisme (1982), in addition to editing a collection of this author's short stories and another of his correspondence, notably with Émile Zola. He published many articles on Huysmans, Vizetelly, Zola, and the Dreyfus Affair. The very good news we can report about our members helps to rectify the negative balance incurred by these losses to Zola Studies. Some members have published books. The publication of Colette Becker's recent book, entitled Zola. Le saut dans les étoiles (Presses de la Sorbonne Nouvelle), coincides with the centenary of Zola's death. The originality of this work lies in its illustration of Zola's aesthetics as they were actually carried out, taking into account his own carefully elaborated theories, but showing to what extent and how he was not limited to their realization. Philippe Hamon, who wrote the preface, notes that Becker reveals the "poétique inscrite et en acte" of Zola's novelistic enterprise.
The compilation of AIZEN members' essays on the representation of women in Zola and naturalist fiction will be available in August of 2002 from Peter Lang in Berne, Switzerland. L'Écriture du féminin chez Zola et dans la fiction naturaliste, edited by Anna Gural-Migdal, contains thirty articles in French or English by researchers at various points in their careers. The book will enjoy a wide distribution, not only in the English- and French-speaking world, but in German-speaking countries as well. In Beauty Raises the Dead: Literature and Loss in the Fin de Siècle (Univ. of Delaware Press, 2002), Robert Ziegler examines, according to psychoanalytical models, the expression of melancholy that characterizes the writings of Decadents as a formulation of loss; he posits sickness and isolation as a precondition to their literary creation. In fact, these writers evolved an aesthetics of sickness and isolation and fostered a belief in the unknowability of objective reality and the impending end of the world, rather than engage with the enduring, healthy, or present. Janice Best's recent book analyzes the process by which censorship attempts to justify its decisions and, conversely, authors try to meet its requirements. In Subversion silencieuse: Censure, autocensure et lutte pour la liberté de l'expression (Montréal: Editions Balzac, 2001), the author interprets the traces and the "gaps" left by this negotiation between authorities of censorship and nineteenth-century authors, such as Hugo, Musset, Dumas (father and son), Balzac, and Zola, in order to establish the actual subversive discourse that is grafted onto the actual words of their texts. AIZEN members Tony Williams and Steven Schneider have contributed to Mikita Brottmann's new anthology on naturalist film, entitled Car Crash Culture (Palgrave Press 2002), which contains the following quotation from La Bête humaine: "She loved accidents: any mention of an animal run over, a man cut to pieces by a train, was bound to make her rush to the spot."
Elizabeth Emery is co-author of a book coming out this year, to be published with Ashgate Press. The title is Consuming the Past: The Medieval Revival in Fin-de-Siècle France. Our congratulations go to Nelly Sanchez, a member of the AIZEN who has successfully defended her doctoral thesis and was conferred a doctorat de lettres modernes from the Université de Bordeaux III in October of 2001. This project, carried out under the direction of M.Gérard Peylet, bears the title "Images de l'homme dans les œuvres romanesques de Rachilde et de Colette." Members of the AIZEN executive would like to solicit articles on two topics. Robert Singer and Anna Gural-Migdal wish to prepare a book on film adaptations of Zola's novels. Carolyn Snipes-Hoyt, along with a colleague in art history, Anne Dymond, invites submissions in French or English for an interdisciplinary and international collection on representations of men and women in a regionalist discursive context at the turn of the twentieth century. Anyone who would like to submit an article of fifteen to twenty pages to one of these collections should do so before June 30, 2003, according to MLA format. Volume XVI of Excavatio, No 1-2. is now available and contains twenty-nine articles that fall into the following categories: Race, Regionalism, Nation; Cultural Studies Approaches to Zola's Text; Zola and his European Contemporaries; Naturalism and the Nineteenth-Century French Hero as Genius; Naturalism and the Arts; South American and Spanish Naturalism. I have greatly appreciated the efforts of my editorial team, in particular Elizabeth Emery, Carolyn Snipes-Hoyt, and Gust Olson. I am grateful to the Faculty of Arts at the University of Alberta, and Dean Harvey Krahn, for financing the publication of this volume. And I wish to thank the Department of Modern Languages and Cultural Studies, its Chair, Donald Bruce, and his staff, for their kind assistance. The success we have enjoyed following the celebration of the AIZEN's ten years of existence, in spite of the events we never imagined having to confront, shows that our organization is a large, well-oiled machine. If we take stock of our activities in terms of figures, we could say that our yearly conferences welcome close to one hundred participants coming from the four corners of the earth, that our international review Excavatio, produced bi-annually, allows us to publish approximately sixty articles, that is, about eight hundred pages per year, that our membership has tripled in the last three years. We can only congratulate ourselves on our stunning success, which has surpassed all our expectations. We have come to a turning point in our development, where we can emphasize the official third language of our association and give it the wide berth it deserves as the cultures where it is spoken gain in popularity the world over. In this way, we continue our work of breaking new ground, that is, of opening our doors to larger and larger numbers of researchers on an international scale in the area of Zola and Naturalist Studies. Our conferences are envisaged years in advance and our calendar is already almost filled for the next ten years. San Antonio, Rio de Janeiro, New Orleans, and Victoria are beautiful cities where we will take you in the years to come. All that lacks is that we decide on where to celebrate our 20th year of existence ... As I look forward to seeing you in the enchanting atmosphere of Andalusia, I wish you, on behalf of the entire team, an excellent summer. Anna Gural-Migdal, the 23rd of May, 2002
10th AIZEN International Portfolio, University of Pennsylvania, October 4-6, 2001Dear Anna, Carolyn and Robert: Bonjour Anna: Dear Professor Gural-Migdal, Chère Mme Gural-Migdal,
Dear Anna: Dear Anna, Dear Professor Gural-Migdal, Dear Anna, Dear Professor Gural-Migdal, Très chère Anna, Chère Anna, Dear Anna, Dear Anna, Robert and Carolyn: Chère Anna, Dear Carolyn, Hi Anna, Chère Anna, Carolyn et Robert, Dear Dr. Snipes-Hoyt,
Dear Anna, Dear Anna, Hi, Anna: Chère Anna, Dear Anna:
Dear Anna, Dear Anna, Chère Anna, Chère Carolyn: Dear Anna, Chère Anna,
Dear Anna, Chère Madame, ou plutôt chère Anna, Dear Anna, Dear Professor Gural-Migdal, Anna, Dear Professor Gural-Migdal, Dear Professor Gural-Migdal, Dear Anna, Chère Anna, Chère Professeur Gural-Migdal, Dear Anna, Dear Anna,
Chère Anna, Dear Anna, Chère collègue, Chère Professeur Gural-Migdal, |