Excavatio



Vol. VI/VII, 1995

- Naturalisme, Naturalism, Naturalismo
- Filmmakers and Naturalism




Patricia CARLES, Béatrice DESGRANGES. Le Germinal de Claude Berri, entre hommage et trahison

Robert SINGER. Screening Murder: Zola's La Bête Humaine and its cinematic adaptations

Kevin ELSTOB. Re-viewing Naturalism and Capitalism in Henry Becque's Les Corbeaux

Jacques MARX. Emile Verhaeren et la poésie naturaliste en Belgique

Diane M. SMITH. Drink, Destiny and Degradation. A Comparative Study of Working Class Alcoholism in Zola’s L'Assommoir and Kretzer's Die Verkommernen

Vilas SARANG. Naturalism and Magic Realism: A Writerly Look at Marquez

Daniel FERRERAS. Le Naturalisme fantastique de Maupassant à King

Betsy BERRY. Zola’s Art of the Gutter: Aesthetic Patterns in L’Assommoir

Anna GURAL-MIGDAL. Entre naturalisation et neutralisation: idéologie et postmodernité chez Zola

Linda Beane KATNER. Zola's Female Discourse: the Orality of the Text

Jeremy WALLACE. Les Soeurs Macquart: "Femmes expérimentales"

Jurate KAMINSKAS. Itinéraire de la femme seule à Paris: pour une lecture renouvelée de Au Bonheur des dames

Jane STOUB. Lantier, La Seine, and the Paving Stones: The Roads that Lead to the Lost Mother

Lydia BELATÈCHE. Speaking Inside and Outside of the Bourgeois Salon

Tullio PAGANO. Allegorizing La Curée

Michel BERTA. Emile Zola et La Rome Nouvelle

Michael LASTINGER. The (im) persistence of Memory: Emile Zola’s Le Rêve and the Flight from Fatality

Martin KOPF. The Theme of Entrapment and Escape in Zola’s L’Assommoir and Germinal

Francis LACOSTE. Zola et l’Académie



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